REMEMBERING The historian John Hope Franklin took pains to remind us of how much of his and our history we would like to forget.

When he was a boy in segregated Oklahoma, where he was born in 1915, John Hope Franklin used to indulge in a subversive bit of wordplay like a small act of public and private theater.

“My mother and I used to have a game we’d play on our public,” Dr. Franklin said not long ago, his voice full of artful pauses, words pulled out like taffy. “She would say if anyone asks you what you want to be when you grow up, tell them you want to be the first Negro president of the United States. And just the words were so far-fetched, so incredible that we used to really have fun, just saying it.”

Even in a country where the far-fetched, for better and for worse, so often becomes reality, few historians achieved the stature, both as scholars and as moral figures — and as combinations of the two — that Dr. Franklin did. When he died last week, at the age of 94, an American epoch seemed to vanish with him.

Dr. Franklin was first and foremost a major historian, whose landmark book, “From Slavery to Freedom: A History of African-Americans,” first published in 1947, was a comprehensive survey that sold more than three million copies. The book also permanently altered the ways in which the American narrative was studied.

“What distinguishes his history or historiography is that he, like few other historians, wrote a book that transformed the way we understand a major social phenomenon,” said David Levering Lewis, the New York University historian, who like Dr. Franklin studied under Theodore Currier at Fisk University in Nashville.

“When you think of ‘From Slavery to Freedom,’ there’s before and there’s after, there’s the world before and then we have a basic paradigm shift,” he said. “Before him you had a field of study that had been feeble and marginalized, full of a pretty brutal discounting of the impact of people of color. And he moved it into the main American narrative. It empowered a whole new field of study.”

Dr. Lewis and others argue that Dr. Franklin’s work helped empower not just African-American studies, but the whole range of alternative stories — of women, gays, Hispanics, Asians and others — now so much a part of mainstream academia.

Dr. Franklin accomplished this not through advocacy but rather through the traditional means of scholarly inquiry. In his discussion, for instance, of the intersection of race and imperialism at the turn of the 20th century, Dr. Franklin observed: “The United States, unlike other imperial powers, had a color problem at home and therefore had to pursue a policy with regard to race that would not upset the racial equilibrium within the United States. In Puerto Rico, for example, approximately one-third of the population was distinctly of African descent, and many so-called white Puerto Ricans had sufficient black blood in their veins to qualify as African-Americans in the United States.”

Complete Story Here…

John Hope Franklin, Scholar and Witness – NYTimes.com.

At 100, NAACP fights to keep struggle alive – Race & ethnicity- msnbc.com.

Feb. 12 (Bloomberg) — President Barack Obama paid tribute to his hero, Abraham Lincoln, at a celebration for the reopening of the theater where he was slain.

“Despite all that divided us — North and South, black and white — he had an unyielding belief that we were, at heart, one nation, and one people,” Obama said last night at Ford’s Theatre in Washington. “And because of Abraham Lincoln, and all who carried on his work in the generations since, that is what we remain today.”

Obama, the nation’s first black commander-in-chief, often invokes the name and symbols of the assassinated president who ended slavery and brought the U.S. through the Civil War. Both men rose from the Illinois state legislature to the highest office in the land and both built reputations as skilled political orators.

The reopening of Ford’s Theatre after an 18-month refurbishment coincides with a celebration of the 200th anniversary of Lincoln’s birth. Obama, 47, who took the oath of office on Lincoln’s bible, will travel to Springfield, Illinois, today to mark the bicentennial.

Obama and his wife, Michelle, joined politicians and Ford’s Theatre donors to watch a series of songs, readings and speeches performed by celebrities such as Ben Vereen and Kelsey Grammer.

The theater also unveiled a videotape, to be shown at its museum, in which the four living past-presidents — George W. Bush, Bill Clinton, George H.W. Bush and Jimmy Carter — recited Lincoln’s Gettysburg Address, accompanied by Matthew Brady’s Civil War images.

Empty Presidential Box

The Obamas watched from the front row alongside House Speaker Nancy Pelosi. None of the nation’s leaders have sat in the presidential box since John Wilkes Booth shot Lincoln there during a performance of “Our American Cousin” on the evening of April 14, 1865.

The event was a retrospective of Lincoln’s life, from his humble beginnings described by James Earl Jones’s baritone to Vereen’s impassioned reading of the Emancipation Proclamation without the prompter, which broke mid-show.

The highlight for the audience of about 650 was classical violinist Joshua Bell’s “Variations on Yankee Doodle,” which was by turns playful and mournful.

Broadway singer Cheryl Freeman gave an electrifying rendition of a song from the play “The Civil War,” followed by Audra McDonald, Jessye Norman and Joshua Bell for “The Battle Hymn of the Republic,” which earned a standing ovation.

Host and actor Richard Thomas called the facility the most-famous theater in America, which had morphed from a scene of tragedy into a symbol of Lincoln’s legacy.

Lincoln Medal

The gala event included the presentation of the Lincoln Medal given each year to someone whose work, accomplishments and attributes “exemplify the lasting legacy and mettle of character embodied by the most beloved president in our nation’s history,” Ford’s Theatre said. This year, the recipients were filmmaker George Lucas and actor Sidney Poitier.

In the aftermath of the assassination, the government bought the theater, which dates to 1861, from Ford for $100,000 and gave it to the War Department for use as storage space and an Army Medical Museum.

At one point, the interior collapsed, so now only the exterior walls are original. In the 1960s, the theater was rededicated as a memorial to Lincoln, and the National Park Service used historic photographs and contemporary accounts to reconstruct the box and the theater as it looked that night. Almost a million visitors pass through every year.

Red Upholstery

The theater has just 658 seats, done up in red upholstery. Lincoln’s box sits just above stage left. On the balustrade is one of the few surviving artifacts from that time, an engraving of George Washington.

The renovation was part of a larger $50 million fundraising effort known as the Abraham Lincoln Bicentennial Campaign that’s also supporting the building of a new education center. The campaign benefited from a $5 million donation from Exxon Mobil Corp. and $2.5 million from the State of Qatar, the theater said.

Other donors included AT&T Inc., BP America Inc., General Dynamics Corp., Toyota Motor Corp., AMR Corp.’s American Airlines and Lockheed Martin Corp., according to Ford’s Theatre.

Bloomberg.com: Arts and Culture.

Doors reopened: Michelle Obama greets audience members at Ford’s Theatre, which celebrated Abraham Lincoln’s bicentennial.

The Ford’s Theatre Society held a star-studded reopening to celebrate the bicentennial of Lincoln’s birth and award film greats George Lucas and Sidney Poitier with Lincoln Medals. The invitation-only ceremony was held at Ford’s Theatre, where Lincoln was assassinated in 1865.

CBS News anchor Katie Couric and actors Kelsey Grammer, James Earl Jones, Ben Vereen, Jeffrey Wright and Audra McDonald gave a presentation of Birth and Rebirth, a tribute to Lincoln. David Selby (Falcon Crest’s Richard Channing) portrayed Lincoln. Jessye Norman performed the Battle Hymn of the Republic with McDonald and violinist Joshua Bell. Richard Thomas (The Waltons‘ John Boy) was the evening’s host.

“There’s a lot of history in this building,” said director Lucas, 64. Lincoln “was a great man, and he served our country in a very difficult time.” As for Obama’s first weeks, “it’s nice that he started off on the right foot. Things are actually happening.”

Poitier, 81, was still moved by the election of a black president. “I never thought I would live long enough (to see one), which is an example of how far we’ve come,” the Oscar-winning Lilies of the Field actor said.

Grammer, a Republican, expressed support for Obama. “I support all presidents,” he said. “They have a very difficult job.” And, he said, “it brings a tear to my eye every time I see him on camera.” As for Lincoln, “he gave his life so that a president like Obama could come along.”

Jones, the Great White Hope star and voice of Darth Vader, talked about missing Obama’s inauguration, but added, “I figured I’d meet up with him somewhere along the way.”

Jones was right. At the end of the tribute, Obama spoke to the audience about Lincoln. “He had an unyielding belief that at heart we are one nation and one people. … That is what we remain.”

Ford’s Theatre packs in stars, and Obamas, for reopening