This afternoon I’ll be leaving to study in Berlin. Before I go, I thought this would be the perfect time to let my friends know how much they have meant to me. This year, each morning, coffee in hand, I began my day posting a daily bloom on the Kierkegaarden, often before sunrise. Next I began reading and sharing the news on various topics that I found interesting on Twitter, Friendfeed & Facebook. Apparently, many others shared my interests and found my posts to be of value and followed them.

Since I posted so frequently, I avoided posting too many personal comments, but that did not stop me from getting to know you. I’ve read yur posts and enjoyed them immensely. I’ve learned so much from you. Many of you responded to me and we got to know each other via DM’s and email. I really appreciate the connection and thought you should know . I hesitate to mention names here for fear of missing someone, but @ YOU and I know who you are. Some of you greeted me with a sun filled hello every morning. Some of us communicated personally by phone & email. Many of you sent tweets of gratitude and encouragement, confirming the value of my efforts by oh so frequent retweets. You have brought me great joy, and it has been a pleasure to ferret through the news and choose from a plethora of headlines to determine what may be of mutual interest and import. We’ve shared so muc together.

While I am away, although I will have internet access, I’m unsure how much time I wil have to continue as it has been my custom. However, I do plan to keep in touch as I can and take up where I left off upon returning. I’ll be taking my camera and Flip Mino with me and intend to blog about my travels.

I hope that you will stay and virtually join me on my European Journey. This represents a lifelong dream for me and has been a long time coming. I’m so excited, I can hardly breathe. I’m looking forward with great anticipation not only to the travel and study experience, but to meeting new friends and reuniting with those I’ve had the privilege of meeting on my last brief visit. I can’t wait to see them! That’s the best part of all.

Meanwhile, don’t let anyone tell you that Social Media is silly or meaningless. I’ve made some wonderful and VERY meaningful business and personal relationships here. It’s whatever you make it. My two cents to newbies… be honest, be open, be yourself, be kind & considerate. There are wonderful people in the world just waiting to get to know you.

Again, many, many thanks. Hang in there with me. Soon I’ll be greeting you from the other side…of the Atlantic, that is!!! Have a lovely summer. I’m sure I’ll be having a blast. Life is good.

Roland Martin says rules in the U.S. should be loosened to encourage adoption of American children.

(CNN) — Pop star Madonna is back in the news; this time, heading back to the African nation of Malawi to adopt her second child.

You might remember all of the drama a few years ago when Madonna adopted a Malawi boy. Now she wants to adopt a girl, and a judge has said she will have to wait until Friday to see if she will get the go-ahead.

Madonna has been quoted in the Malawi newspaper Nation as saying, “Many people, especially our Malawian friends, say that David should have a Malawian brother or sister. It’s something I have been considering, but would only do if I had the support of the Malawian people and government.”

It seems that anytime we hear about celebrities like Madonna adopting, the children are from another country. I’m not at all opposed to children being adopted from Africa, China or any other country, but it does raise the question: What’s wrong with adopting American children?

Now I’m not against anyone providing a secure, loving home for a child, but it seems to me that these stories often reinforce a growing public image of adoption for many Americans: that of a rich, famous individual going to a developing country to adopt a child.

According to various adoption and governmental agencies, more than 500,000 American children are under foster care, and many of them are waiting for adoption. From coast to coast, babies to toddlers to teens are desperately looking for a home where they can be loved, nurtured and provided for.

Now, it would be easy to blast these celebrities by saying it’s the hip thing to walk around with an international child, but truth be told, we’ve got a serious adoption problem in this country.

Single mothers have a difficult time adopting a child, and several I know personally have gone overseas. And let’s not even talk about the red tape and bureaucracy!

American parents are made to jump through enormous hoops, and the process takes years, instead of months. And all too often, single people and married couples simply grow disenchanted with the process.

We can sit here and criticize Madonna all day, but enough with ripping her. Our energy should be put into a call for massive adoption reform. Don’t just bang out an e-mail or blog and get caught up in the celebrity hype.

If you think it should be easier to adopt American children, demand that your local, state and federal election officials clear the pathway to make the process easier. And let’s have more consistency. Having 50 different states set their own policy, is frankly, nonsense. With so many rules, no wonder folks throw their hands up and move on.

The goal of adoption is to put children in loving homes and not have them be the responsibility of the state. Making it harder to adopt affects you in your pocketbook because taxpayer money is spent to care for the children. So changing the laws not only helps the child, but also is fiscally prudent.

So what are you prepared to do?

The opinions expressed in this commentary are solely those of Roland Martin.

Commentary: Why aren’t celebrities adopting U.S. kids? – CNN.com.

Sarah Wade, Cavalier Daily Staff Writer
Published: Wednesday, March 18 2009
Human history is as much a product of forgetting as it is of remembering. What actually goes down in the pages of history can be unpredictable and seemingly arbitrary.

Listen to Beethoven’s famed Sonata No. 9 in A Major, Op. 47, commonly called the Kreutzer Sonata after the French violinist Rodolphe Kreutzer. It is sometimes assumed that Beethoven originally dedicated the sonata to Kreutzer. In reality, Kreutzer never could perform the sonata.

Instead, he reportedly told Beethoven the piece was “impossible to play” — a notable complaint, given that Kreutzer was considered one of Europe’s top violinists at the time.

But it was not impossible. By this time, Afro-European violinist George Polgreen Bridgetower had already played the sonata, said Creative Writing Prof. Rita Dove, who recently wrote a book about the musician.

Bridgetower was a Mulatto violin virtuoso. His musical talent was so impressive that Beethoven originally wrote the piece for him, not Kreutzer, Dove said. Why, then, did Beethoven rededicate the sonata to Kreutzer, a violinist who refused to play it? Also, why did history subsequently forget George Polgreen Bridgetower?

Dove, a former U.S. Poet Laureate, said she aims to recover Bridgetower’s lost significance in her latest book of poetry. “Sonata Mulattica” dramatizes in lyric verse the life of the violinist and the different factors that led him to historical obscurity rather than fame.
“I wanted to discover [Bridgetower], Dove said, “and poetry was the way I wanted to discover him.”

In a joint concert with Dave Matthews Band violinist Boyd Tinsley, Dove will celebrate the release of “Sonata Mulattica”  Friday evening as part of the 15th Annual Virginia Festival of the Book. The blending of poetry, music and conversation will begin at 8 p.m. in the Paramount Theater.

“[When] Dove mentioned that Boyd Tinsley was cited in one of her poems … we all agreed that it would be fantastic if there could be a joint program,” said Nancy Damon, program director of the Virginia Festival of the Book. Kevin McFadden, the festival’s associate director and a former University student, said he felt that there would be “large interest” in the program, and eventually the festival invited Dove and Tinsley to perform together at the Paramount. Dove used Tinsley’s name in her poem, “The Bridgetower,” describing him as one of today’s gifted people forgotten by time. She said she contacted him after finishing writing “Sonata Mulattica” to let him know he was featured in it.

Dove and Tinsley enjoyed working together on the upcoming event, Dove said. “He works similarly [as] I do … on improvisation,” Dove said, adding that both are artists who experiment with their craft to expand its scope and range of expression. Combining the two crafts of poetry and violin music to share one message is in itself a chance for improvisation.

“It’s been a great process of getting to know one another,” Dove said of her collaboration with Tinsley, who, like Dove, is a Charlottesville resident. Dove added that Tinsley wants people to remember what happened between Beethoven and Bridgetower in 1803. Both Tinsley and her aim to “connect the dots from Bridgetower all the way up to Tinsley,” Dove said.

Damon said she anticipates that the event will be “a very exciting combination of words and music which fits perfectly into [the festival’s] goal of encouraging people to read.” She added that “with any success, the story contained in Dove’s book and Tinsley’s music — the life of George Polgreen Bridgetower — will encourage people to explore what they read more deeply, to examine the personal significance every story offers them.”

Dove said her initial decision to versify Bridgetower’s 200-year-old story happened largely by chance. As a former cellist, she heard Bridgetower’s name long ago but did not give it much thought. That changed years later when she glimpsed a portrayal of Bridgewater’s genius in the 1994 film, “Immortal Beloved.”

By the age of 10, Bridgewater, already a prodigy, was on the road performing.

“That was really interesting — a little boy, half-black and half-white, playing in concert halls across Europe,” she said.

As a young man, Bridgetower came to Vienna, where he impressed and befriended the already legendary Ludwig van Beethoven. The friendship, however, was short-lived.

“The Bridgetower,” which was printed last November in the New Yorker, explains why: In May 1803, Beethoven and his new friend first performed their new sonata together with the German on pianoforte and the Afro-European on violin. The performance moved the composer so deeply that he “leapt up to embrace his ‘lunatic mulatto,’ the playful nickname he had given Bridgetower.

“[But then they had a] falling out over a girl nobody remembers, nobody knows.”

Bridgetower apparently insulted a woman who was one of Beethoven’s acquaintances. In response, the composer chose to dedicate the sonata to another musician. The pair would never renew the friendship.

How might racial categorization both in and beyond classical music be different if Bridgetower’s fame had survived the first round of history’s cuts? How many more figures like Bridgetower might there be today if their names were better remembered? His own mulatto identity literally bridged African and European cultures, and his technical abilities surpassed even those of the famous Kreutzer. Beethoven’s sole reason for renouncing Bridgetower had nothing to do with music and everything to do with emotion. But because of a chance combination of factors, Bridgetower “has kind of dropped out of history,” Dove said. Remembered here and there, maybe, but more as an interesting detail than as anyone historically influential, she added.

For Dove, obscure stories like Bridgetower’s history point out the shortcomings of history and the need for something beyond it that can be used to remember human life.

Around every famous historical figure, there are countless other people — “living, breathing people,” Dove said — who were just as significant. Perhaps these nameless contributors would be the ones in history books instead if a few circumstances had worked out differently.

For those select few that history does remember, it seems to do so incompletely, which offers the world only small, scattered windows into past lives as vibrant as the ones that people are living now, Dove noted.

“What has always fascinated me [is] the realization that we all have interior lives,” Dove said. “What history does is to point out, rather graphically, just how little of that interiority can be passed down through generations.”

This is one of Dove’s main reasons for writing poetry, she said. She aims to acknowledge and explore that interiority with the intent to expose the personal, emotional side of history.

“History … tells us what happened. It doesn’t tell us why it was worth it,” Dove said. “That’s the job of poetry.”

via Cavalier Daily.

Bollywood to Hollywood: A.R.Rahman : AVS TV Network | Watch more clips at www.avstv.com!.

Love & Kindness are universal.

Hands on: Vincent Dotoli started his school with one classroom and 12 first graders.

Zina Mingo has lived in Harlem for all her 40 years and now teaches in a Harlem public school. But committed as she is to the community, she wasn’t willing to subject her son, Devon, now 8, to the educational system she works for. “Most of the schools in Harlem are failing schools, and that’s just not an option to me,” she says.

Instead, Mingo is pinning her hopes for Devon on Harlem Academy, a four-year-old not-for-profit school just north of Central Park. With its small classes, focus on rigorous academics, required parental involvement and long school day, the school gets results; 90% of third graders score above the national median in reading and math. Students arrive at 7:30, begin sports at 3:45 and leave at 5 or 6, depending on whether they want homework help after sports. For that, parents pay as little as $400 a year and as much as $16,000, depending on income.

Harlem Academy is the passion of headmaster Vincent Dotoli, 39, whose lawyer father and cpa mother could afford to buy him a private school education at Far Hills Country Day in New Jersey. After college he taught in rural Maine and Rhode Island and then for four years at Buckingham Browne & Nichols, a well-endowed 125-year-old private school in Cambridge, Mass. But he didn’t feel his efforts there made much of a difference. “Those students were going to be successful whether I was there or not,” he says.

So in 2001 Dotoli enrolled at Columbia University to earn a master’s in education administration. His thesis was on a model for a private urban school that could skirt the public school bureaucracy dragging down big city schools, while involving parents, who are too often treated as a nuisance in those same schools. Edmund W. Gordon, director of Columbia’s Institute for Urban & Minority Education, joined Dotoli in meeting with prospective students and parents. Harlem Academy opened in September 2004 with 12 first graders in one room rented from an arts group. In 2005 it moved to bigger quarters and now has 74 first-through-fifth graders.

Country Day In Harlem – Forbes.com.

Racial jokes? Shipping freed slaves to Africa? These aren’t the sorts of things most people generally associate with Abraham Lincoln, whose 200th birthday is on Feb. 12. In a new book, “Lincoln on Race & Slavery,” and a new series airing Feb. 11 on PBS, “Looking for Lincoln,” Harvard professor and documentary filmmaker Henry Louis Gates Jr. takes a fresh look at the 16th president. (For more on Lincoln, see Dorothy Rabinowitz’s television review and the book review.)

PBS

Henry Louis Gates Jr.

The Wall Street Journal: There have been 14,000 books written about Lincoln, according to you, more than any other American. Isn’t that enough?

Mr. Gates: The only person who has received more attention in print is Jesus, which is astonishing. But, no one has done a book or film from my particular perspective.

Which is?

Here’s the complicated truth: Lincoln was always opposed to slavery as an institution, [but] he was deeply ambivalent about the status of black people. He gave a speech [in 1858] in Charleston, Ill., in which he said he was opposed to interracial marriage, opposed to blacks serving on juries or serving in the military and said the difference between the white and black races was permanent and fixed by nature. This is a long way from being the Great Emancipator, man. He had a penchant for the n-word [before 1860] and he proposed a constitutional amendment funding the colonization of the freed slaves.

Yet you grew to like him even more after delving into his racial attitudes, correct?

The difference between Lincoln and everybody else is that he had a capacity to grow. In the last speech of his life, Lincoln said for the first time in the American presidency: “I want to give the right to vote to [a few] black men.” He thought the Declaration of Independence included black men. Thomas Jefferson didn’t do that.

We’re in the midst of a Lincoln revival. Steven Spielberg is in the process of doing a Lincoln movie with a screenplay by Tony Kushner and Barack Obama has been reading Doris Kearns Goodwin’s “Team of Rivals,” about Lincoln’s cabinet. Why is he so enduringly popular?

There’s a Lincoln for all seasons in America. There are dozens of Lincolns. There’s Lincoln the atheist, the Northern Lincoln, the Confederate Lincoln, Lincoln the war criminal, Lincoln the savior of the union, Lincoln the humorous, Lincoln the melancholy. One guy wrote a book about Lincoln as gay, another of Lincoln the heterosexual lover. Lincoln the white supremacist; Lincoln the Great Emancipator…

In the film you criss-cross America, visiting a high-school class in downtown Chicago, the Ford Theatre, where Lincoln was assassinated, and the Harlem office of President Bill Clinton. In Lincoln’s New Salem, Ill., a recreated town inhabited by Lincoln devotees, a woman threatened to eject you for hinting that Lincoln had an affair with Ann Rutledge. Were you surprised?

New Salem is all reconstructed log cabins and [its people] are dedicated to protecting the myth of Abraham Lincoln — the idea that he did no wrong. I find it charming, but as a scholar, it’s ridiculous.

Barack Obama swore the oath of office on the Lincoln Bible and references Lincoln frequently in speeches.

Barack Obama is the logical extension of Lincoln’s decision to abolish slavery in the South and his embrace of black rights at the end of his life. Also, Lincoln was the Great Reconciliator “with malice toward none”: That’s Barack Obama.

In the film you show “Abraham Obama,” a work by street artist Ron English that melds Lincoln and Obama’s faces into a single image. Do you think the comparison is appropriate?

When we filmed they gave me a poster. I’m looking forward to having Abraham Obama sign it.

—Christina S.N. Lewis

Henry Louis Gates Jr. Takes a Look at Lincoln in His New Book and PBS Series – WSJ.com.

Vikas Swarup says he was inspired by the idea of an underdog coming out on top.

As a high-ranking Indian diplomat, his day job requires him to think about international relations, not the grit of survival in a teeming inner city.

But maybe his heart was in his homeland when he took his first stab at writing fiction with the story of an uneducated slum dweller who wins millions of rupees on a television quiz show.

He wrote the novel in 2003, while finishing an overseas posting before heading to New Delhi.

“My wife and children had already left for India. So I was two months alone in London,” Swarup said in an interview at the official residence of his current job as India’s Deputy High Commissioner to South Africa.

“There was no comfort, but more importantly there were no distractions. That’s why I wrote this book, almost in a frenzy. The idea was bubbling in my head.”

Swarup said he was inspired by the idea of an underdog coming out on top.

‘Slumdog’ author was inspired by opportunity, solitude – CNN.com.