PRETORIA, South Africa (CNN) — Vikas Swarup was far from the poverty of Mumbai when he wrote “Slumdog Millionaire,” the book that has now become an award-winning movie and Academy Award nominee.

Vikas Swarup says he was inspired by the idea of an underdog coming out on top.

As a high-ranking Indian diplomat, his day job requires him to think about international relations, not the grit of survival in a teeming inner city.

But maybe his heart was in his homeland when he took his first stab at writing fiction with the story of an uneducated slum dweller who wins millions of rupees on a television quiz show.

He wrote the novel in 2003, while finishing an overseas posting before heading to New Delhi.

“My wife and children had already left for India. So I was two months alone in London,” Swarup said in an interview at the official residence of his current job as India’s Deputy High Commissioner to South Africa.

“There was no comfort, but more importantly there were no distractions. That’s why I wrote this book, almost in a frenzy. The idea was bubbling in my head.”

Swarup said he was inspired by the idea of an underdog coming out on top.

‘Slumdog’ author was inspired by opportunity, solitude – CNN.com.

Last year the champagne still flowed, but in 2009 angst will dominate the Berlin Film Festival. Cutbacks by studios, concerns about financing and a big-budget thriller about an evil bank — even the silver screen can’t ignore the world economic downturn.

Every movie gets the villains it deserves. Bandits attacking Indians? It’s a western. Hit men shooting police? A crime story. And when psychopaths try to achieve world domination, it’s either a terrorist drama or a film about Adolf Hitler. Those are the usual suspects.

Since the financial crisis, though, a range of unexpected villains has started parading across the screen. Werner Schulz, a politician from Germany’s Green Party, summed up the current mood a few days ago: “Now people are more afraid of their financial advisors than of al-Qaida.”

One German director seems to have anticipated this development. Tom Tykwer, known for his bank robbery fable “Run Lola Run,” will premiere his new thriller “The International” on Thursday, when it opens the 59th Berlin International Film Festival, or Berlinale. This time the bank itself is the villain.

The bank in the movie, in fact, is a criminal organization that commissions murder and homicide — a “bad bank” worse than anything from the current nightmares of the world’s finance ministers. The hero in “The International” is not a crusading protector of the public interest but British star Clive Owen (“Inside Man”).

The financial crisis will set the tone at this year’s Berlinale, the most important international film festival after Cannes. It will be the main topic of conversation at the parties and receptions, the festival’s speeches, press conferences and in the haggling over film rights and new productions.

Complete Article…

Worry Lines Through the Botox: Berlinale Reflects Leaner Times for Movie Business – SPIEGEL ONLINE – News – International.

In Bad Times, Free Resources Are a Hot Commodity

Hannah Lee, 4, grabs a book during a visit to the Germantown library with her dad, Samson Lee, and sleeping 1-year-old sister, Jenna. (By Nikki Kahn — The Washington Post)

Nearly every study table is full with patrons sipping lattes and surfing the Web. Teens are curled up in easy chairs. In a worried knot by the doorway, job seekers gather around a sign-up station for the Internet, waiting for their turn.

Before the Germantown library opened in 2007, there was hardly any “downtown” to speak of in the Montgomery County community, where houses and strip malls grew before anything else. Now it’s an important civic anchor, a main street where none existed, and the busiest library in the county.

In the past few months, it has become even busier. The library, like most in the Washington area, has had a rising tide of users as patrons look for free computer access, DVD loans and activities for children during the recession. Circulation in the last six months of the year rose as much as 23 percent in libraries around the region, records show.

The influx comes just as county managers are preparing budgets for the coming fiscal year in a time of huge shortfalls. Libraries, like other services, face drastic cuts that could mean reducing staff and hours or even shuttering branches.

“It’s a cruel irony that use is going up and budget cuts are occurring simultaneously,” said Jim Rettig, president of the American Library Association and a librarian at the University of Richmond. “What I think doesn’t get enough recognition is the role libraries play in the economic vitality and development of a community.”

Cultural soothsayers once thought libraries would become obsolete in the Internet age. Not so. They have modernized, digitized, virtualized.

Patrons can bring their own beverages; Arlington County hopes to add a cafe in one of its branches. They can access databases, read Chinese newspapers or the latest graphic teen novel. Users have more and more access from home; they can text in reference questions to a Fairfax County librarian, for example, or listen to podcasts. Fairfax card holders can read an e-book online. Librarians are trying to tailor services to community needs, hoping to add more babysitting certification classes in Silver Spring or résumé-writing workshops in Prince George’s County.

More than 68 percent of American adults now have a library card, the highest number since the ALA began tracking the numbers in 1990.

“One thing I hear quite frequently is ‘Gee, it’s cheaper to come here than Borders,’ ” said Nancy Savas, the library manager at Germantown. “It makes me laugh, because we’ve always been here.”

Business Brisk at Area Libraries – washingtonpost.com.

PARK CITY, Utah–The Sundance Film Festival is all about film buzz. Word spreads quickly about the biggest tearjerkers, the most overhyped films, the pleasant surprises, and the ones mostly likely to make their way to the cineplex.

Filmmaker Ondi Timoner starts her day Monday, the day of her film’s world premiere, by getting her make-up done professionally. She knows she has many photo shoots ahead.

(Credit: Michelle Meyers/CNET News)

What you don’t hear, however, is what it’s like for the makers of such films as they anticipate showing their work to the world for the very first time. What is their range of emotions as they prepare for what could be a standing ovation or a mass exodus before the credits even roll?

Ondi Timoner, who’s here competing with her documentary, We Live in Public, gave CNET News some insight into the mania of festival life for a filmmaker by allowing us to shadow her Monday, the day of her film’s world premiere. We’ll tell you all about that jam-packed day, but first some background on the film and Timoner.

We Live in Public documents the tumultuous life of Josh Harris, who Timoner refers to as “the greatest Internet pioneer you’ve never heard of.” It’s a sort of cautionary tale about the effect the Web is having on society.

During the 1990s dot-com boom, Harris was considered a sort of “Warhol of the Web” by creating the first Internet television network, Psuedo.com, and then an underground bunker in Manhattan where 100 people lived together on camera for 30 days before getting shut down as a millennial cult by the Federal Emergency Management Agency and the New York police on New Year’s Day 2000.

Harris’ next experiment, which led him to a mental breakdown, was a six-month stint living with his girlfriend under 24-hour live surveillance online, long before the days of Justin TV.

A day in the life of a Sundance filmmaker | Digital Media – CNET News.