At 100, NAACP fights to keep struggle alive – Race & ethnicity- msnbc.com.

Feb. 12 (Bloomberg) — President Barack Obama paid tribute to his hero, Abraham Lincoln, at a celebration for the reopening of the theater where he was slain.

“Despite all that divided us — North and South, black and white — he had an unyielding belief that we were, at heart, one nation, and one people,” Obama said last night at Ford’s Theatre in Washington. “And because of Abraham Lincoln, and all who carried on his work in the generations since, that is what we remain today.”

Obama, the nation’s first black commander-in-chief, often invokes the name and symbols of the assassinated president who ended slavery and brought the U.S. through the Civil War. Both men rose from the Illinois state legislature to the highest office in the land and both built reputations as skilled political orators.

The reopening of Ford’s Theatre after an 18-month refurbishment coincides with a celebration of the 200th anniversary of Lincoln’s birth. Obama, 47, who took the oath of office on Lincoln’s bible, will travel to Springfield, Illinois, today to mark the bicentennial.

Obama and his wife, Michelle, joined politicians and Ford’s Theatre donors to watch a series of songs, readings and speeches performed by celebrities such as Ben Vereen and Kelsey Grammer.

The theater also unveiled a videotape, to be shown at its museum, in which the four living past-presidents — George W. Bush, Bill Clinton, George H.W. Bush and Jimmy Carter — recited Lincoln’s Gettysburg Address, accompanied by Matthew Brady’s Civil War images.

Empty Presidential Box

The Obamas watched from the front row alongside House Speaker Nancy Pelosi. None of the nation’s leaders have sat in the presidential box since John Wilkes Booth shot Lincoln there during a performance of “Our American Cousin” on the evening of April 14, 1865.

The event was a retrospective of Lincoln’s life, from his humble beginnings described by James Earl Jones’s baritone to Vereen’s impassioned reading of the Emancipation Proclamation without the prompter, which broke mid-show.

The highlight for the audience of about 650 was classical violinist Joshua Bell’s “Variations on Yankee Doodle,” which was by turns playful and mournful.

Broadway singer Cheryl Freeman gave an electrifying rendition of a song from the play “The Civil War,” followed by Audra McDonald, Jessye Norman and Joshua Bell for “The Battle Hymn of the Republic,” which earned a standing ovation.

Host and actor Richard Thomas called the facility the most-famous theater in America, which had morphed from a scene of tragedy into a symbol of Lincoln’s legacy.

Lincoln Medal

The gala event included the presentation of the Lincoln Medal given each year to someone whose work, accomplishments and attributes “exemplify the lasting legacy and mettle of character embodied by the most beloved president in our nation’s history,” Ford’s Theatre said. This year, the recipients were filmmaker George Lucas and actor Sidney Poitier.

In the aftermath of the assassination, the government bought the theater, which dates to 1861, from Ford for $100,000 and gave it to the War Department for use as storage space and an Army Medical Museum.

At one point, the interior collapsed, so now only the exterior walls are original. In the 1960s, the theater was rededicated as a memorial to Lincoln, and the National Park Service used historic photographs and contemporary accounts to reconstruct the box and the theater as it looked that night. Almost a million visitors pass through every year.

Red Upholstery

The theater has just 658 seats, done up in red upholstery. Lincoln’s box sits just above stage left. On the balustrade is one of the few surviving artifacts from that time, an engraving of George Washington.

The renovation was part of a larger $50 million fundraising effort known as the Abraham Lincoln Bicentennial Campaign that’s also supporting the building of a new education center. The campaign benefited from a $5 million donation from Exxon Mobil Corp. and $2.5 million from the State of Qatar, the theater said.

Other donors included AT&T Inc., BP America Inc., General Dynamics Corp., Toyota Motor Corp., AMR Corp.’s American Airlines and Lockheed Martin Corp., according to Ford’s Theatre.

Bloomberg.com: Arts and Culture.

Doors reopened: Michelle Obama greets audience members at Ford’s Theatre, which celebrated Abraham Lincoln’s bicentennial.

The Ford’s Theatre Society held a star-studded reopening to celebrate the bicentennial of Lincoln’s birth and award film greats George Lucas and Sidney Poitier with Lincoln Medals. The invitation-only ceremony was held at Ford’s Theatre, where Lincoln was assassinated in 1865.

CBS News anchor Katie Couric and actors Kelsey Grammer, James Earl Jones, Ben Vereen, Jeffrey Wright and Audra McDonald gave a presentation of Birth and Rebirth, a tribute to Lincoln. David Selby (Falcon Crest‘s Richard Channing) portrayed Lincoln. Jessye Norman performed the Battle Hymn of the Republic with McDonald and violinist Joshua Bell. Richard Thomas (The Waltons‘ John Boy) was the evening’s host.

“There’s a lot of history in this building,” said director Lucas, 64. Lincoln “was a great man, and he served our country in a very difficult time.” As for Obama’s first weeks, “it’s nice that he started off on the right foot. Things are actually happening.”

Poitier, 81, was still moved by the election of a black president. “I never thought I would live long enough (to see one), which is an example of how far we’ve come,” the Oscar-winning Lilies of the Field actor said.

Grammer, a Republican, expressed support for Obama. “I support all presidents,” he said. “They have a very difficult job.” And, he said, “it brings a tear to my eye every time I see him on camera.” As for Lincoln, “he gave his life so that a president like Obama could come along.”

Jones, the Great White Hope star and voice of Darth Vader, talked about missing Obama’s inauguration, but added, “I figured I’d meet up with him somewhere along the way.”

Jones was right. At the end of the tribute, Obama spoke to the audience about Lincoln. “He had an unyielding belief that at heart we are one nation and one people. … That is what we remain.”

Ford’s Theatre packs in stars, and Obamas, for reopening

A Harvard scholar takes a look at the Great Emancipator

Racial jokes? Shipping freed slaves to Africa? These aren’t the sorts of things most people generally associate with Abraham Lincoln, whose 200th birthday is on Feb. 12. In a new book, “Lincoln on Race & Slavery,” and a new series airing Feb. 11 on PBS, “Looking for Lincoln,” Harvard professor and documentary filmmaker Henry Louis Gates Jr. takes a fresh look at the 16th president. (For more on Lincoln, see Dorothy Rabinowitz’s television review and the book review.)

PBS

Henry Louis Gates Jr.

The Wall Street Journal: There have been 14,000 books written about Lincoln, according to you, more than any other American. Isn’t that enough?

Mr. Gates: The only person who has received more attention in print is Jesus, which is astonishing. But, no one has done a book or film from my particular perspective.

Which is?

Here’s the complicated truth: Lincoln was always opposed to slavery as an institution, [but] he was deeply ambivalent about the status of black people. He gave a speech [in 1858] in Charleston, Ill., in which he said he was opposed to interracial marriage, opposed to blacks serving on juries or serving in the military and said the difference between the white and black races was permanent and fixed by nature. This is a long way from being the Great Emancipator, man. He had a penchant for the n-word [before 1860] and he proposed a constitutional amendment funding the colonization of the freed slaves.

Yet you grew to like him even more after delving into his racial attitudes, correct?

The difference between Lincoln and everybody else is that he had a capacity to grow. In the last speech of his life, Lincoln said for the first time in the American presidency: “I want to give the right to vote to [a few] black men.” He thought the Declaration of Independence included black men. Thomas Jefferson didn’t do that.

We’re in the midst of a Lincoln revival. Steven Spielberg is in the process of doing a Lincoln movie with a screenplay by Tony Kushner and Barack Obama has been reading Doris Kearns Goodwin’s “Team of Rivals,” about Lincoln’s cabinet. Why is he so enduringly popular?

There’s a Lincoln for all seasons in America. There are dozens of Lincolns. There’s Lincoln the atheist, the Northern Lincoln, the Confederate Lincoln, Lincoln the war criminal, Lincoln the savior of the union, Lincoln the humorous, Lincoln the melancholy. One guy wrote a book about Lincoln as gay, another of Lincoln the heterosexual lover. Lincoln the white supremacist; Lincoln the Great Emancipator…

In the film you criss-cross America, visiting a high-school class in downtown Chicago, the Ford Theatre, where Lincoln was assassinated, and the Harlem office of President Bill Clinton. In Lincoln’s New Salem, Ill., a recreated town inhabited by Lincoln devotees, a woman threatened to eject you for hinting that Lincoln had an affair with Ann Rutledge. Were you surprised?

New Salem is all reconstructed log cabins and [its people] are dedicated to protecting the myth of Abraham Lincoln — the idea that he did no wrong. I find it charming, but as a scholar, it’s ridiculous.

Barack Obama swore the oath of office on the Lincoln Bible and references Lincoln frequently in speeches.

Barack Obama is the logical extension of Lincoln’s decision to abolish slavery in the South and his embrace of black rights at the end of his life. Also, Lincoln was the Great Reconciliator “with malice toward none”: That’s Barack Obama.

In the film you show “Abraham Obama,” a work by street artist Ron English that melds Lincoln and Obama’s faces into a single image. Do you think the comparison is appropriate?

When we filmed they gave me a poster. I’m looking forward to having Abraham Obama sign it.

—Christina S.N. Lewis

Henry Louis Gates Jr. Takes a Look at Lincoln in His New Book and PBS Series – WSJ.com.