Worry Lines Through the Botox: Berlinale Reflects Leaner Times for Movie Business
Last year the champagne still flowed, but in 2009 angst will dominate the Berlin Film Festival. Cutbacks by studios, concerns about financing and a big-budget thriller about an evil bank — even the silver screen can’t ignore the world economic downturn.
Every movie gets the villains it deserves. Bandits attacking Indians? It’s a western. Hit men shooting police? A crime story. And when psychopaths try to achieve world domination, it’s either a terrorist drama or a film about Adolf Hitler. Those are the usual suspects.
Since the financial crisis, though, a range of unexpected villains has started parading across the screen. Werner Schulz, a politician from Germany’s Green Party, summed up the current mood a few days ago: “Now people are more afraid of their financial advisors than of al-Qaida.”
One German director seems to have anticipated this development. Tom Tykwer, known for his bank robbery fable “Run Lola Run,” will premiere his new thriller “The International” on Thursday, when it opens the 59th Berlin International Film Festival, or Berlinale. This time the bank itself is the villain.
The bank in the movie, in fact, is a criminal organization that commissions murder and homicide — a “bad bank” worse than anything from the current nightmares of the world’s finance ministers. The hero in “The International” is not a crusading protector of the public interest but British star Clive Owen (“Inside Man”).
The financial crisis will set the tone at this year’s Berlinale, the most important international film festival after Cannes. It will be the main topic of conversation at the parties and receptions, the festival’s speeches, press conferences and in the haggling over film rights and new productions.
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